A new book, Inside, At Home with Great Designers , published by Phaidon, is a compendium of 60 houses that leading architects and interior designers around the particular world have previously lived in or currently occupy. When creating their homes, designers plus architects are able in order to give free rein to their personal taste, untrammelled simply by constraints normally imposed by clients. As a result, their homes are a purer, more personal expression of their vision – the space where ideas can be tested out freely.
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“A designer’s own space is an experiment in living because they wish and not as a client commands, ” William Norwich, who wrote the book’s introduction, tells BBC Culture. He cites the home of architect Hugo Grisanti, whose practice within Santiago, Chile is renowned for its use of vibrant colour. And while his home reflects this, its colour palette is more adventurous still. “In his home he could relish applications of lively colours their clients might only dabble in, inch says Norwich.
The book is also symptomatic associated with an age when high-profile interior developers – jettisoning concerns about privacy – willingly subject their houses to public scrutiny, eagerly posting pictures of them on social media to raise awareness of their brand. The book inevitably highlights these designers’ individuality, since each one has a distinctive aesthetic. We picked away eight homes that illustrate key interiors styles today.
Bold make use of color creates a vibrant atmosphere in designer Hugo Grisanti’s Santiago house (Credit: Ana María López)
Hugo Grisanti, who co-founded Grisanti & Cussen with Kana Cussen in 2007, lives in the single-storey 1940s house. He lives alone and since such offers total freedom to experiment with ways to decorate his home, which he does in collaboration with Cussen. Originally, the house had four small bedrooms but these have been transformed into a large bedroom and an office. The duo is passionate about colour, and simply by creating this particular larger, open space, the impact associated with their chosen hues – described in the book as “a symphony of cerulean, verdant and coral tones” – is heightened. Paint is liberally applied over ceilings as well as architectural mouldings. Grisanti says that colour by yourself can alter or refresh our envionments: “We use different colours to create new atmospheres. ” Such bursts of colour are part of a maximalist sensibility that encompasses a love associated with pattern plus historical references. In the particular bedroom, this is conveyed by the painting of an 18th-Century dandy by Argentinian artist Stanley Gonczanski and chairs by Gianni Versace.
A quirky, mid-century mood pervades the Los Angeles home associated with high-profile developer Jeff Andrews (Credit: Grey Crawford)
Los Angeles-based Jeff Andrews is really a fan of mid-century modern, a style he extensively explored at his home in a 1930s Spanish Colonial house, exactly where he resided from 2012 to 2020. The designer, whose clients include Lady Gaga and Kourtney Kardashian, left its interior largely untouched, altering it instead by introducing new textures, patterns plus finishes as well as mid-century furniture and contemporary pieces in the mid-century idiom. He retained a sunken living room, and lined the gaps between the beams on its ceiling with unmistakeably retro wallpaper. In one wood-panelled room with brown walls and a fireplace, which triggered fond memories of their grandparents’ house, he hung 1950s and 1960s abstract, impasto paintings and a chandelier made of ceramic orbs created by LA-based designer Heather Levine. The particular largely monochrome interior could have looked flat but for an abundance of designs that provide visual interest, as do several eye-catching sculptural pieces, such as some mid-century sputnik-shaped chandeliers in the living room.
British designer Ben Pentreath’s home in London reflects his ‘English eccentric’ style (Credit: Jason Ingram)
Architectural plus interior developer Ben Pentreath’s affection with regard to classic, hand-crafted British designs – from Marianna Kennedy’s lamps along with colourful, candlestick-like bases, sold at his Bloomsbury shop Pentreath & Hall, in order to classic William Morris wallpapers – pervades his London home. Appropriately, he lives in the Art Workers’ Guild building founded in the particular 1880s simply by followers associated with Morris. Pentreath is known regarding his cosy but stylish aesthetic and comfortable decorations, with offbeat colour combinations. Exactly fitting one wall in his sitting room are usually 24 framed maps of London produced by the French-born, Uk 18th-Century cartographer John Rocque, which form a dramatic, surprisingly decorative backdrop. Elsewhere there are colourful, subjective, pop-inspired works by British performer Robyn Denny, Morris’s Willow Bough wallpapers, Wedgwood jasperware, a mint-green armchair plus cushions bought on their travels to Stockholm, Paris and New York.
The modernist Greater london home associated with Faye Toogood has been furnished within a restrained, warmly smart style (Credit: Henry Bourne)
Moving to a modernist house in Highgate, North London influenced designer Faye Toogood to adhere to the aesthetic when it came to the interior. She had previously lived inside a Georgian home, much of it painted shades of blue, redolent, she said, of some associated with Vermeer’s works of art. Her husband, Matt Gibberd, co-founder of estate agent The Modern House, discovered their home – a boxy modernist building, designed by Swiss architect Walter Segal. Toogood decided not in order to tamper with its original, clean-lined layout, and opted for a controlled monochrome palette. However, an organic rather than rectilinear version of modernism was uppermost in her mind whenever it reached furnishing the girl new house. “This 1960s house was like living along with a Barbara Hepworth sculpture or a Lucie Rie white pot, inch she muses available. The particular house incorporated some warm elements, including a wall clad with vertical wood slats, and Toogood further softened the interior by covering dressing-room doors with clotted cream-coloured felt, and made curtains out of raw canvas. She furthermore furnished this with her new styles in mainly white or even ecru tones, including the girl chunky Roly Poly chair with the generously curved seat that will cradles the particular sitter plus a sculptural white plaster coffee table.
There will be a lavish, eclectic feel to the interior associated with Emiliano Salci’s Milan home and studio (Credit: Dimorestudio)
The Milan home-cum-studio of Emiliano Salci, co-founder and creative director of Italian design outfit Dimorestudio, mirrors the studio’s intriguing, moody, almost louche aesthetic. Salci comes from a good apartment within a 1940s creating that overlooks a palm tree-filled garden. Dimorestudio designs atmospheric interiors with a decadent vibe for fashion boutiques, private homes, restaurants and hotels. The guide accurately describes the shared, lavish aesthetic of Dimorestudio and Salci’s home because follows: “The firm’s styles emit an amber glow that lends a theatricality and lounge-like sexiness to the rooms clad in sumptuous velvets plus gleaming satins… This approach is no different in Salci’s home where he chosen warm shades of brown, hazel, ochre and dusty orange. ” In his home, Salci has mixed designs through Dimorestudio’s product line, Dimoremilano, including the leopard-print carpet in the particular hallway and a cocktail table within the living space, with mid-century pieces, such as a good oval mahogany table by the US developer George Nelson. A wall-hung triptych depicting a Madonna and child adds another opulent touch, as do purple satin curtains eccentrically wrapped around Salci’s wardrobe.
The Copenhagen apartment associated with David Thulstrup showcases a re-imagined Scandinavian mood (Credit: Irina Boersma)
The Copenhagen apartment of Danish architect plus designer David Thulstrup puts a fresh, playful spin upon the famously functionalist Scandi aesthetic that has proved so popular over the past two decades. When the particular designer, that created the interior of world-renowned Copenhagen restaurant Noma, bought their flat, he changed its layout, radically converting the warren associated with small rooms into a large, open-plan, loft-like space. The sparsely furnished residence features some of his designs, many of which depart from the particular standard, mid-century Scandi visual. Overall, the family room provides a 1980s hotel-lobby really feel, more stagey than homely. Its furniture is in once stark and pop: a sofa upholstered in fawn sheepskin resembling teddy bear-fabric with a fire-engine red frame stands opposite a grey marble-patterned coffee table. The particular apartment is usually also furnished with a bespoke blackened steel dining desk inspired simply by his collection of Swedish designer Hertha Bengtson’s streamlined but curvaceous Bl å Eld (Blue Fire) tableware, produced in 1950. Meanwhile, battleship grey Venetian blinds fronting a row of regularly spaced, floor-to-ceiling windows once again conjure up the 1980s.
Madrid-based designer Isabel López-Quesada has combined rustic and industrial elements in the interior of her house (Credit: Miguel Flores-Vianna/The Interior Archive)
Industrial meets traditional
Madrid-based designer Isabel López-Quesada’s projects prove that the humblest structures can be converted into fashionable environments, even when mostly furnished along with discarded furnishings and salvaged materials. One particularly challenging project intended for her was transforming a few concrete henhouses near her home – a former pheasant farm in Biarritz on the French Basque coast – into a guesthouse that provides extra accommodation for guests, not least for numerous family members (she has three adult children and six sisters). The guesthouse’s kitchen bears many hallmarks associated with López-Quesada’s design, chiefly functionality, conveyed by open shelves on which all utensils are usually visible and accessible. It also has an earthiness mixed with romanticism in the form of robust, rustic furniture. Her style makes a virtue of improvisation, too: other elements in the particular cabin-like guesthouse include a wooden console rescued from the street and an old trunk used to store kindling for the fireplace.
Italian inside designer Paola Navone offers created a good idiosyncratic, bohemian home in Milan (Credit: Enrico Conti)
Italian designer Paola Navone has an impeccably avant-garde pedigree. In the mid-1970s, she was a member associated with the experimental Italian collective, Studio Alchimia, which debunked what it considered to become tired tenets of modernism, like the emphasis on rationality and efficient forms. This should come as no surprise then that Navone’s home in Milan is thoroughly idiosyncratic. It has a new metal roof which Navone had installed after the initial one has been destroyed simply by a fire. Navone provides painted white-colored spots on a black iron staircase, while a tree trunk painted with whitened stripes penetrates a staircase, then protrudes through the mezzanine. The girl rejection of traditional good taste is definitely most dramatically expressed within her bedroom, where a shower unit can be encrusted with ceramic vessels, many of them entire vases, urns and dishes, an effect that will wittily subverts the conventions of bathroom decoration.
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