Whether in fashion, art, or design, trends, by definition, come and go. Though sometimes received with a bad connotation, there is both a genuine beauty and an innate necessity in the phenomenon that is fads: they define eras, illustrate values, plus help catalogue human history. When it comes to architecture and design, it’s hard to separate the flashy, ornate Art Deco aesthetic of the 1920s from the surging economy and mass consumerism that birthed it. Likewise, social change from the ’60s encouraged a rebellion against traditional, more simplistic styles and brought bold, colorful, plus graphic interiors into vogue.
All of this begs the question: How will our current age be remembered by future generations? What styles best summarize our own present tastes, and what do those demonstrate about the period we’re living through? Using Google search data from the past five years, AD recently surveyed the particular most-searched structures, design, and decor styles across 27 major cities, providing a look at the aesthetics currently capturing the attention of Americans across the country.
Despite the name rooted in the past, the particular midcentury modern style continues to prove it’s anything but dated. “The warmer color palette and forms that are influenced by nature—organic yet streamlined plus sophisticated—continue to be well received, ” says Smita Sahoo, founder of Asaya Design , a Chicago-based luxury architecture and interior design firm. Originating in the mid ’40s, the aesthetic is characterized simply by clean lines, flat planes, and minimal ornamentation. Although it’s been nearly 80 years since its arrival, it’s still highly coveted.
“The reintroduction of midcentury modern will be refreshing, ” Sahoo says. While some may argue that the particular midcentury look never really went out associated with style, Sahoo hypothesizes that a change in workplace culture could be supporting the present-day resurgence. “Hospitality and residential styles are actively being integrated into workplace design, ” Sahoo explains. The clean simplicity plus abundant natural light, integral to the midcentury style, lend themselves well to an office space, creating a pleasing bridge between a homier look and a corporate one. “The style soon found its way into entertainment venues and the particular hospitality sector after the rise in the workplace, ” she adds.
Of course, there could be another reason for the aesthetic’s modern popularity: “It’s easy to match, ” states AD100 designer Rayman Boozer . If only buying furniture or decor solely inspired by or even from the particular era of Corbusier, Saarinen, and Breuer, it’s easier for that amateur to know everything will, for the most part, look good together. “I think it’s the majority of obvious design, ” Boozer says. Spun from pandemic lockdowns, the desire with regard to a well-designed home became more apparent, and midcentury is a way for many to achieve it without the help of a professional developer.
While midcentury was notably well-loved, minimalist, contemporary, art deco, and Victorian architecture also captured the particular attention of many. In many of the towns surveyed, these styles ranked among the top five searched styles, though the order varied slightly from place to place. “The new generations respect clutter-free, sustainable, and ethical environments, ” Sahoo describes of the interest in a few of these types of styles, noting that Victorian, however , was a bit of surprise. “This style is very ornate plus decorative in nature, so executing Victorian design in modern times needs in order to be carefully done and can be very time-consuming. ”
Generally, current decor preferences are much broader, though there is a fairly strong representation of different traditional-leaning aesthetics like craftsman, farmhouse, Cape Cod, and country. However , boho, without a doubt, has been the most widely popular decor style.
Often described as “eclectic, ” boho is best understood as an amalgamation various time periods, textures, colors, and cultures. It can be strong and vibrant, and a good exciting opportunity to create something wholly unique. However, without having many hard-and-fast rules, it is also easy to slip in to something that looks inharmonious or without perspective. Because of this, Boozer doesn’t find it all too surprising that people are researching the look. “It’s kind associated with a hard thing to perform on your own, but, at the same time, it’s simple to experiment, ” he says.
In 20 or 30 years, these styles could easily become remembered as trends erupting from the pandemic or even the social media age, yet Boozer cautions against using them as a base regarding one’s personal taste just because they’re widely admired. “I think people make the mistake when they search intended for things that are well-known and they want to fit in, but I think they should try to figure out what their personal style is, ” he says. “The the majority of important point you can do within design is to have a point of view, even if it’s not popular. ”